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Chicago Tribune Sunday Magazine, January 27, 1985 |
Principal horn of the Chicago Symphony Orchestra since February 1966, Dale Clevenger is a versatile musician in many areas, including chamber music, jazz, commercial recordings, and solos. His mentors were Arnold Jacobs and Adolph Herseth.
Before joining the CSO, Clevenger was a member of Leopold
Stokowski’s
American Symphony Orchestra
and the Symphony of the Air
directed by Alfred Wallenstein; he also was principal horn of the
Kansas City Philharmonic. He has appeared as soloist with orchestras
worldwide, including the
Berlin Philharmonic Orchestra
under
Daniel
Barenboim. He has participated in many music festivals, including
the Santa Fe Chamber Music Festival; the
Florida Music Festival in
He has given recitals and master classes throughout the world:
Dale Clevenger is the featured soloist on several CSO recordings,
including works by Martin, Schumann, Britten, and Mozart. He also
played on the Grammy Award–winning recording
The Antiphonal Music of
Gabrieli with the brass ensembles of the
For seventeen years, Clevenger played almost regularly with the
group EARS, Jazz of All Eras. In 1985, he received an honorary
doctorate from
Also a conductor, Dale Clevenger served as music director of the
Elmhurst Symphony Orchestra
for fourteen years. His conducting
career has included guest appearances with numerous other
orchestras, including the
New Japan Philharmonic, the
Shanghai
Symphony Orchestra, the
Civic Orchestra of Chicago, the Roosevelt
University Symphony Orchestra, the
Toronto Conservatory Orchestra,
the Northwestern University Summer Symphony, the
Western Australia
Symphony Orchestra,
the
Osaka Philharmonic, the National
Philharmonic of Slovakia in Bratislava, the Sinfonia Crakovia and
the
Opole Philharmonic
in Poland, and the Bartlesville (Oklahoma)
Symphony Orchestra.
Www.orchestralconservatory.com , features him playing orchestral audition excerpts, with music and comments in video and audio. These are for young horn players in high school, college, conservatories, and in orchestras worldwide who need an example of common horn audition excerpts to learn and imitate.